“Come see how diversity destroyed ‘England’s Second City’” with the Jolly Heretic.
There’s a brand new documentary being released by Edward Dutton, also known as the Jolly Heretic, titled “The Yookay,” and it’s an exploration of how catastrophic “diversity” has been for Europe (in this case England), and the white, Christian West as a whole. And, the entire documentary could no doubt be summed up by one exchange, between Dutton and some random third world heritage “Brit” walking through the grounds of Birmingham Cathedral:
“What do you think of Birmingham Cathedral?”
— iamyesyouareno (@iamyesyouareno) February 2, 2026
— “It's shit but it's a nice place to smoke weed. They’re not my ancestors, I don’t care.”
You cannot coexist with this. pic.twitter.com/82op1dta4q
Naturally, the viewer can’t deny this scene was foretold of sorts, in Jean Raspail’s famous work, The Camp of the Saints. In the book’s opening chapter, Calguès, the professor watching the third world hordes land on the beach below the villa that’s been in his family for three centuries, is confronted by a young looter, who says this:
I look at you and you know what I think? I think you’re perfect. That’s why I hate you. And it’s here, to your house, that I’ll bring all the most wretched ones tomorrow. They know nothing about what you are, about what you represent. Your world means nothing to them. They won’t try to understand. They’ll be tired. They’ll be cold. They’ll build a fire with your lovely oak door. They’ll shit all over your terrace and wipe their hands on the books in your library. … Every object will lose the meaning you attach to it. What’s beautiful won’t be beautiful anymore.
The Birmingham Cathedral is a resplendent work of English Baroque architecture, and was consecrated in the early 1700s. Every aspect of the church, from the weather vane to the stained glass windows, drips with some of the richest history the West has to offer—which is all “shit” to the pothead in the park, who, like the looter in Raspail’s novel does, “hates” the cathedral because of what it represents: European and Christian greatness. The resentment is even more obvious when he says this: “It’s not my ancestors, I don’t know whose ancestors those are….” (Did he just end the debate about how the West was “built” by the blacks and browns? Seems like it. And, if his ancestors admittedly didn’t build the West, what claim do they have on it? What entitles him to live in nations built by our forefathers?)
But in his words lie the crux of the issue: heritage matters, and heritage is not a matter of documentation or paperwork citizenship, but of shared culture, ancestry, and tradition. The man speaking to Dutton is not English, despite the fact that he probably was born there. The ancestors of true Englanders are the men and women who labored for Birmingham Cathedral.
Ilana Mercer, a South African author, wrote this in the introduction of her book, Into the Cannibal’s Pot:
In the U.S., a slower, more incremental transformation is underway. It began with a state-orchestrated, historically unparalleled, mass importation of inassimilable ethnic groups, into a country whose creed is that it has no creed any longer. American institutions no longer assimilate immigrants.
Rather, they acculturate them to militant identity politics aimed at doing away with merit. Dissolving the American people and electing another, to paraphrase Bertolt Brecht, will likely erode American institutions further, and may well replicate on American soil the terrifying conflicts that mar the third world.
While Mercer was specifically speaking to the political trends in the U.S., of course her position can be applied to what we’ve seen across Europe. These people are “inassimilable ethnic groups” that do not have a shared history and heritage with Westerners, which brings me to my last point. There’s a quote attributed to Karl Marx, and it goes like this: “A people without heritage are easily persuaded.”
The destruction detailed by Dutton is entirely by design.
To watch the documentary in its entirety, and I highly encourage it, visit Edward Dutton’s Substack here.