Like Beethoven, Mozart is arguably one of the two greatest composers who ever lived. Like Beethoven, he faces cancelation as part of the campaign to eradicate Western Civilization:
In 2020, [New York’s Lincoln Center for the Performing Arts] began promoting a story that a vibrant black community known as San Juan Hill had been deliberately snuffed out in the 1950s to make way for its creation.
Self-hatred is a central pillar of modern liberalism, as is constructing pernicious narratives upon lies.
“The displacement of Indigenous, Black, and Latinx families that took place prior to the construction of our campus is abhorrent,” declares the center’s “Message on Our Commitment to Change.”
What is abhorrent is that those entrusted as the custodians of high culture are actively destroying it:
In consequence, last summer the center canceled its “Mostly Mozart” festival in favor of more “inclusive” fare — sponsoring rappers, pop groups and an LGBTQ mariachi band while hanging a 10-foot-wide disco ball above its fountain.
Pushing Mozart aside in favor of an LGBTQ mariachi band is the quintessence of social justice.
This summer’s programming, just announced, will lead off with “the debut duet of two superstar queens from the blockbuster reality competition ‘RuPaul’s Drag Race,’” followed by “Argentinian queercore,” comedians of “Indian heritage” and “silent disco.”
That’s the cultural heritage that will be left to future generations after Mozart, Beethoven, et al. have been erased.
That building the Lincoln Center somehow oppressed sacred BIPOCs isn’t even true. The neighborhood was overwhelmingly white at the time.
If everything is going to be based on lies, why not announce that Mozart was a transvestite illegal immigrant from Africa who indulged in disgusting sexual practices? That way he might escape getting vaporized.